Marillion, 18th May, Munich

Here we go.
I caught my plane one dark morning, it was very early, the plane was cute and small and took me to Budapest. During the flight it was racing with the sunrise but at the moment it landed, it lost. Nevermind, I was in Budapest, at Budapest airport, more precisely, stayed there for an hour, trying not to fall asleep and then - next plane to Munich.
Munich was sunny and hot, while Sofia that I left six hours ago was rainy and cold. Am I not lucky, heh.
My one week stay in the capital of Bayer deserves another post, so let's go directly to the concert evening, 18th May, club Backstage.
In the beginning it was quite confusing, the venue has two halls, on both sides of the road, so I got lost. But eventually everything got sorted out, I took an interview with Mark Kelly, Marillion's keyboardist, and entered the hall - it was still almost empty so we could choose wonderful places - near the bear bar ;) and only few meters from the scene.
The support act were young German boys, very talented, sorry, I didn't remember their band's name, but it can be checked any time. It's Germany, all right, so they came on stage at 20:00. After them the stage got prepared and at 21:20 it went dark. Then a ray of light fell on Steve Hogarth and illuminated his face. Very strange, he was wearing some kind of coat that reminded me the child on the "Misplaced Childhood" album's cover...

I like both Marillion with Fish and with H. Most people chose one of those two bands. A friend of mine always says that Fish is extremely charismatic artist. And what I see in H is the creative force of the madness. The one that moves most artists at any age or place in the human history. That night he was not only a musician, but also an actor. And he didn't stop singing for two hours. The band didn't use any solo - drums or keyboards, to give the other members time to rest. Two hours perfect performance plus 20 minutes encore. And H's voice was at its best. Powerful, crystal clear, emotional. They did songs from a lot of albums, including, of course, "Somewhere Else", promoted on this tour, and a lot of "Marbles".
But - from the beginning. Mark Kelly said that this tour they decided to perform songs that the audience wants them to do - and as people discuss that on forums, the dates to come are prepared :) In Munich the hall shouted "Easter", it was the last encore.
And there we are, the diabolic light, Steve Hogarth started "Splintering Heart" from "Holiday In Eden". Then the stage become all light and we saw the others - Steve Rothery:
Ian Mosley,
Pete Trawavas:


and Mark Kelly:

Next song was „The Other Half” - the first track from the new album.


I didn't rank "Somewhere Else" very high, but after the show I am considering to revise my opinion. It sounded powerful and enchanting.
Before the second single Last Century For Man, came Ocean Cloud and You’re Gone from Marbles.


The public was amazing. H told them "I remember the show in Munich during Marbles" and they went crazy. It was possible to actually feel the love they were sending to the musicians and to see how this was giving the band power and was charging them like battery. It was like a running circle of emotions.






I am happy that I choose to attend the show in Munich, next day in Prague Marillion has perform less songs...

The Invisible Man stroke me:

I haven't changed
I swear I haven't changed....

And you see H, illuminated face, eyes bright with madness, screaming:

I will scream again
"I am perfectly sane"
"I am perfectly sane".

Yeah, right, "sane"! Amazing!

Then "Man Of Thousand Faces" from my favourite album "This Strange Engine".








When they said "Good night" and left the scene, the hall was about to be ruined :) They came back to perform the encore, and H said "Yeah, I remember Marbles. But you managed to beat it somehow!"
Great.